Movies

For the films in which Lebrat divided the screen he placed a piece of paper with one or more slits in it in front of the lens, allowing only a narrow...

To come back to abstraction, I have a feeling that colour varies in my work between two aspects: the colour-object that comes from the sensation of...

"In the 1990 text on his film Autoportrait au dispositif (1981), Lebrat wrote that all his films are in fact self-portraits, including those that are...

"Christian Lebrat said he thought of Monet, who painted with the series Water Lilies colors ‘at the edge of the visible;’ those of Holon...

V5 (Zip-Zap) progresses via a tight, interweaving montage of rapid sequences, which were filmed directly from a CRT TV screen.